OUTER SITE: New book on RMIT’s intercultural Public Art projects

Written by McCulloch McCulloch on Monday, August 30, 2010 | Permalink

Since the early 1990s artist and public art curator Geoff Hogg has been director of RMIT’s Art in Public Space, the only department of its type in Australia, and which has initiated dozens of large public art projects throughout the world.

Extensive in scale and employing up to hundreds of artists and art workers in each country, the projects include the largest mural project in China, an extensive landscaped culture park in Turkey, a children’s fantasy park in Melbourne and an ongoing project featuring the significance of bicycles as an alternative means of transport.

Tapping into the related fields of mural and street art, public art projects are rapidly gaining worldwide recognition. Now a world leader in the field, RMIT Art in Public Space has developed a substantial international following, becoming widely recognized for its contribution in forging extensive and significant links between the artists and people of Australia, China, Europe, Turkey and other countries.

With a foreword by leading US writer, curator and activist, Lucy Lippard, introduction by RMIT’s head of art, Professor Elizabeth Grierson and essays by head of department Geoff Hogg, curator Tristian Koenig, artist Maggie McCormick and lecturer Kristen Sharp Outer Site: the intercultural art projects of RMIT Art in Public Space details the development of public art throughout the world and extensively documents through text and images, the evolution of many projects over extended periods – from conception to completion.

Published by McCulloch & McCulloch in partnership with RMIT Art in Public Space.

Copies can be ordered online for $59.95 AUD

http://mccullochandmcculloch.com.au/books/product/99789-0-9804494-5-7/

Identity in Civic Space
British Council website Civic Life

Written by Artabase on Friday, August 27, 2010 | Permalink

Civic Life is a major British Council project that explores notions of identity, architecture, memory, community, a sense of place and civic space. Unfolding over 2010, the project converges online, in a website that incorporates writing, film and photographs from all around the world.

Highlights of the Civic Life site include: Tiong Bahru, a short film shot in and around Singapore’s Tiong Bahru estate in June 2010 by British filmmakers Joe Lawlor and Christine Molloy and a cast of hundreds of volunteers; Where the Art Is, a micro-short film competition; and Writing the City, a creative writing programme to be launched by Singapore Literature Prize winner Suchen Christine Lim and UK author Jeremy Sheldon in October.

The site also features a blog, where leading international artists, writers, architects and thinkers will discuss the Civic Life themes – and readers can also share their views.

http://www.civiclife.sg

Starving Artists Still Starving:
Market Research on Australian Professional Artists

Written by AustraliaCouncil on Tuesday, August 17, 2010 | Permalink

Artist Careers, two research projects released today by the Australia Council for the Arts, paints a comprehensive picture of the working lives of Australia’s 44,000 professional artists.

The two projects, respectively by Professor David Throsby from Macquarie University and Professor Stuart Cunningham from the Queensland University of Technology, both show that artists continue to struggle financially, earning a median income of just $35,900 a year – which includes arts and non arts related income.

Sixteen percent of artists earn less than $10,000 and only five percent earn more than $100,000.  Artists’ incomes have kept pace with inflation, but this rise is not as great as for the general workforce.

Just over half of the artists who live with a partner say their spouse’s income is important in supporting their artistic practice. Artists also incur many hidden costs, including research and development.

While the social and cultural value of the arts has long been acknowledged, the research reveals that arts workers are well embedded in our economy, with one third of artists putting their artistic skills to use in cultural industries and many more working in the wider sector.

“Australian artists are not sitting around expecting to be paid; instead they’re putting their creativity and education to good use by working in industries outside their own, and making a significant contribution to the economy,” says Australia Council CEO, Kathy Keele. “They may be musicians working as teachers, writers working as editors, visual artists who design websites or actors who run corporate training.”

“We can see clearly how creative talents nurtured through artistic practice are being used to build cultural industries and enhance communities and business, but the trade off is that artists have less time and opportunity to practice their art.”

Just over a quarter of Australian artists experienced a period of unemployment between 2004 and 2009, down from a third of artists between 1996 and 2001.

While artists living in capital cities earn around 30 percent more than those in regional cities, over the past eight years this income gap is closing – but only due to increased earnings by regional artists from non arts activity.

Forty seven per cent of Australia’s writers were living in the regions in 2009, a leap from 26 percent in 2002. Similarly, the percentage of visual artists based in the regions has increased by 15%.

Looking forward, 60 percent of all artists believe new technologies could improve their income – by bringing them new audiences, sales of their work or new means of artistic expression. This underlines recent Australia Council arts participation research, More than bums on seats, which shows that many people are using the internet to investigate and engage with the arts.

“We know through More than bums on seats that there is a huge demand for arts experiences by the Australian public,” says Kathy Keele. “If we value the experience, we need to value our artists and continue developing initiatives that give them the time and energy to create great art. This is a priority for the Australia Council and Artist Careers provides a landmark guide to how we can build greater incomes and greater career sustainability for Australian artists.”

A summary plus the two full reports are available from: www.australiacouncil.gov.au/artistcareers

BACKGROUND

Artist Careers is the combination of two research projects released by the research department of the Australia Council for the Arts. Together, they provide a comprehensive picture of the working life of Australian artists.

Artist Careers comprises of:

Do you really expect to get paid? An economic study of professional artists in Australia

This study was commissioned by the Australia Council but conducted and written independently by Professor David Throsby and Anita Zednik from Macquarie University. This survey is the fifth in a series carried out over the past 30 years (under the title of Don’t give up your day job) at Macquarie University, with funding from the Australia Council.

The original 1983 survey was part of the Individual Artists’ Inquiry, initiated by the Australia Council. More comprehensive surveys were carried out in 1987, 1993 and 2002. The present survey updates and expands on earlier studies.

What’s your other job? A census analysis of arts employment in Australia

This research analyses data from the past three Australian Population Censuses (1996, 2001 and 2006) in relation to artists’ employment and income. It was undertaken by the Centre for Creative Industries and Innovation at the Queensland University of Technology (QUT) under the leadership of Professor Stuart Cunningham.

These two studies take different approaches to gathering information about Australian artists’ employment and income.

The census study asks, ‘What was the main job?” undertaken in the week prior to the Australian Population Census

The artist survey involved approximately 1,000 professional artists whose arts practice may, or may not be, their main source of income.

The data gathered by these two studies complement each other, but are not directly comparable.

A summary plus the two full reports are available from: www.australiacouncil.gov.au/artistcareers

Bringing Art to Critically-Ill Children
3rd Ward & The Art of Elysium

Written by Artabase on Friday, August 13, 2010 | Permalink

The Art of Elysium is an American non-profit organization dedicated to bringing the arts to children battling serious medical conditions. It was founded in 1997 and encourages working actors, artists and musicians to share their warmth, time and talents through creative workshops in acting, art, comedy, fashion, music, radio, songwriting and creative writing.

3rd Ward in New York will be partnering with The Art of Elysium to co-host special events and offer regular volunteering opportunities.

http://www.theartofelysium.org/

3rd Ward on Artabase

Experimental Writing on Art: Text Camp Reader 2010

Written by Artabase on Wednesday, August 11, 2010 | Permalink

Image: Design by Something Splendid

Next Wave’s Text Camp Reader 2010 is an online publication that draws together a series of critical and creative responses to the 2010 Next Wave Festival, No Risk Too Great.

Comprising three parallel teaching streams, which explored methods in creative and critical writing and online, electronic publishing, Text Camp 2010 explored the many ways that art projects can be responded to through writing.

Text Camp Reader 2010 was produced through Text Camp 2010, a three-stage workshop, mentorship and publication program developed by Next Wave. An ambitious evolution of the inaugural, and highly successful, Text Camp program (2008), Text Camp 2010 provided opportunities for nine emerging writers and five emerging publishers to work with, and learn from, three established writers and editors.

Text Camp Reader 2010 incorporates reviews, interviews, feature articles and experimental contemporary art practice engaged with text. The styles of writing range from the critical and analytical, to creative, fictional and speculative.

Text Camp Reader 2010 will be launched at Melbourne’s newest art space, Dear Patti Smith on Tuesday 17 August, 6-8 pm. Dear Patti Smith Level 2, Patterson Building 181 Smith St, Collingwood Come and be among the first to browse the new online reader!

2010 Next Wave Festival on Artabase

Triple R radiothon kicks off soon

Written by Artabase on Saturday, August 7, 2010 | Permalink

Triple R is a Melbourne based, fully independent, non-profit station that has been keeping radio fun for an impressive 30+ years.

A large part of their revenue stream comes from a loyal community of subscribers, not only from Australia but also from overseas, as Triple R streams live, 24/7 on the interwebs.

This year’s annual Radiothon runs from Friday 13 August until Sunday 22 August 2010.

So sign up and help keep your radio free from horrible corporate advertising. Galleries and Artists who subscribe to Triple R will again be in the running to win a Gallery or Artist Subscription on Artabase.

http://www.rrr.org.au/whats-going-on/news/radiothon-2010-make-contact/

Tim Burton slashes attendance records at ACMI

Written by Australian Center for the Moving Image on Tuesday, August 3, 2010 | Permalink

The Australian Centre for the Moving Image recently welcomed the 100,000th visitor to its Melbourne Winter Masterpieces show Tim Burton: The Exhibition, breaking attendance records for the centre.

The exhibition, which opened on 24 June, exactly five weeks ago, has become one of the hottest tickets in town this winter with queues spilling out of the centre into Federation Square.

Artist and film maker, Tim Burton, delighted crowds with an appearance at ACMI in June to officially open the exhibition. Recounting his visit, he said; “During my visit to Melbourne I saw first hand how passionate the city is about art and film and I met hundreds of fans who were really warm and welcoming.”

“Even though it is a bit exposing to have my work displayed in this context, even within ACMI’s dark and mysterious gallery, I’m thrilled that so many visitors are enjoying the exhibition,” he said.

ACMI Director Tony Sweeney said it was a history-making day for ACMI. “From the moment we decided to do this show, we knew we were onto something special. The response from visitors has been incredible; the most resounding response we’ve had to an exhibition in ACMI’s short life and to reach one hundred thousand visitors in only five weeks is really something.”

Visitation numbers to the exhibition are the highest in ACMI’s short history, beating the centres previous Melbourne Winter Masterpieces blockbuster Pixar: 20 Years of Animation (2007), by 60% at the same five-week mark. The single biggest day for Tim Burton drew 5300 visitors which is again a record previously held by Pixar with a highest single day attendance of 3600.

Tim Burton: The Exhibition is the largest temporary exhibition ever to be staged at ACMI. With more than 700 objects, it is an extended version of the original which was conceived and curated by New York’s Museum of Modern Art. MoMA’s exhibition drew more than 850,000 visitors, making it the third highest attended exhibition to show at the museum behind the likes of Picasso and Matisse.

Tracing Burton’s visual imagination from his earliest childhood drawings through his mature work in film (such as Batman, Beetlejuice, Edward Scissorhands, Corpse Bride, Sweeney Todd and most recently Alice in Wonderland), the exhibition brings together examples of rarely or never-before-seen drawings, paintings, photographs, storyboards, moving image works, maquettes, costumes and cinematic ephemera and includes an extensive film series spanning his 28-year career.

For the ACMI incarnation, however, Burton worked closely with curators and designers over several months to bring some new elements to the exhibition, including designing decorations for both the interior and exterior of the building and creating the ‘Burtonairum’ (a carnival tent centrepiece for the show). With the support of Disney ACMI added an Alice In Wonderland exhibit, Warner Bros. Movie World assisted with the acquisition of the Batmobile.

Public programs and film screenings compliment the exhibition experience and are programmed throughout the season.

Tim Burton: The Exhibition is on at ACMI now until Sunday 10 October.

Tim Burton at ACMI on Artabase

$5,000, your own studio & a solo show in New York sound good?

Written by 3rd Ward on | Permalink



| 3rd Ward Summer 2010 Open Call: Deadline August 4! |

What would you create for $5,000, three months in NYC, and your very own solo show?  We are in the final stretch of our open call, giving you just enough time to share your vision and earn YOUR place in the international art world. The official deadline is July 28th with late entries being accepted until August 4, 2010 11:59pm. As an Artabase member, your late entry fee has been waived.

The Summer 2010 Open Call is a juried international art competition looking for dynamic, inventive and provocative work of all mediums: photography, painting, drawing, sculpture, illustration, graphic design, video, installation, performance, animation, printmaking and more!

You are invited to submit a portfolio of your best completed artwork, work-in-progress and/or conceptual proposal to be considered for for a $5,000 cash grant, optional 3-month work residency and a solo exhibition.

The awards are generous, the community is strong and the world is waiting for what you have to show. This is your opportunity to receive a gorgeous 3rd Ward online portfolio and the chance to expose your work to the world. View sample portfolios here: Painting, Mixed Media, Photography.

Open Call closes Wednesday August 4th, 2010 11:59pm

Your art matters – share your work with the world. Click here to submit your work.

3rd Ward is a unique institution that supports the arts and its creators beyond geographic bounds, committed to providing artists and creative makers all over the world with new and lasting opportunities.

3rd Ward on Artabase

Culture Jamming heroes The Yes Men release their doco free online

Written by Artabase on Wednesday, July 28, 2010 | Permalink

The Yes Men Fix The World is a feature length documentation of some of the duo’s most impressive culture jamming exploits. It has now been released as a free download through Peer-to-Peer (P2P) networks like Bittorrent.

Download your copy to find out how they successfully duped leading global news providers BBC World and Fox News into publicly announcing apologies by profit-driven transnational corporations like Dow Chemicals.

The Yes Men are requesting donations to help fund future culture-jamming projects. A donation of only $5 will help these political-performance artists to continue their salient questioning of the ethics of free-market capitalism.

The doco can be downloaded for free through Vodo.

I can’t wait to receive my copy of their Culture-Jammed New York Times.

http://vodo.net/yesmen

The Yes Men Fix The World on IMDB

http://theyesmen.org/

The City as an Art Museum: Object Gallery’s Audio Design Museum

Written by Artabase on Thursday, July 22, 2010 | Permalink

The streets of Sydney, Melbourne and Brisbane will be transformed into a giant gallery space with the launch of a new project by Object: Australian Centre for Craft & Design.

Object has worked with independent curators and local designers to create a series of guided audio tours that lead listeners on a trail of the best design and creativity hotspots in Australia’s east coast capital cities.

The tours will be available for free download as podcasts for iPods, iPhones and mp3 players from www.audiodesignmuseum.com. The podcasts are narrated with personal anecdotes and stories from 100 local designers and include supporting maps and imagery.

The Audio Design Museum launches with a series of tours based on city precincts or design themes. Focus precinct tours for Melbourne include Flinders Lane and Gertrude Street, whilst Sydney precincts are Surry Hills/Darlinghurst and Paddington. Visitors can also take theme-based tours exploring the best furniture, textiles, fashion and jewellery in each city.

The project has been co-curated by independent designers Viviane Stappmanns and Kate Rhodes, drawing on their own knowledge of the design communities and extensive research into the creative hearts of Australian cities.

Rhodes and Stappmanns have recorded the voices of local designers speaking about their creative journeys and inspirations.

“The Audio Design Museum promises an unusual approach to experiencing creativity in the city. It can be used as a guided walking tour but would be equally entertaining to listen to and watch on the train,” explains Viviane Stappmanns.

Audio Design Museum co-curator Kate Rhodes said: “No gallery space could ever be big enough to capture the creativity of an entire city. With the Audio Design Museum, Object is replacing the concept of a conventional design museum and allowing the city to become the exhibition space.”

A themed furniture tour is also available for Sydney, providing insights into the vibrant local furniture designer community and their individual approaches. This tour includes the voices of local designers speaking about their own creative journey in this field.

The precinct tours for Melbourne include the famous Gertrude Street, guiding listeners past the Victorian shop-fronts that have become home to leading fashion labels and designers over the past 25 years.

Melbourne’s traditional rag trade home in Flinders Lane is the focus of another precinct tour. This audio guide invites visitors to walk past former warehouses that now provide studio and office space for architects or graphic designers, interspersed with art gallery stopovers and stories detailing the rise of Melbourne as a creative city.

The Inner City forms the focus of a third precinct tour, looking at how the urban heart of Melbourne has been revitalized from a neglected business district into a bustling home for unique architecture, retail and public spaces.

A themed jewellery tour is also available for Melbourne that explores some of the most creative and diverse communities of jewellery makers and galleries in the world.

The Audio Design Museum is part of Object’s Spring Series 2010 program. For full program visit www.object.com.au/springseries

Audio Design Museum on Artabase